@article{Gotved_Bjerager_2014, title={PRIVACY WITH PUBLIC ACCESS: DIGITAL MEMORIALS ON QR CODES}, volume={4}, url={https://spir.aoir.org/ojs/index.php/spir/article/view/8801}, abstractNote={<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span style="font-size: 12.000000pt; font-family: ’ArialMT’;">The focus in this short paper is how digital memorials perforate the (already uneasy) distinction between private and public, both in emotional and physical space. As a contemporary parallel to Meyrowitz’ (1985) elaboration of Goffman’s (1958) front- and backstage</span><span style="font-size: 8.000000pt; font-family: ’ArialMT’; vertical-align: 6.000000pt;">1</span><span style="font-size: 12.000000pt; font-family: ’ArialMT’;">, digital memorials are making the private grief visible to a much larger public than before. This goes for the many variations of memorials found in social media and throughout the web (Gotved, 2014), whatever the set-ups for accessibility might be. Indeed, the fast growing research area on digital memorials draws on the very fact of public (or semi-public) access, combined with different takes on participation and ethical issues. </span></p></div></div></div>}, journal={AoIR Selected Papers of Internet Research}, author={Gotved, Stine and Bjerager, Klaus}, year={2014}, month={Oct.} }